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This anthology contains first-hand accounts from those involved in the conflicts of ancient China. Many of these poems are translated into English for the first time; they invoke powerful, terrible images of ancient warfare, beautifully brought to life. The poetry within this book spans more than sixteen centuries and includes the work of 50 poets.

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This powerful, unique anthology contains the poetry of Holocaust victims from across the globe. Not only are members of Jewish communities included, but also people targeted by the Nazis on other grounds — those politically or religiously opposed to the Third Reich, homosexuals, members of Sinti & Roma communities, or those perceived as disabled.

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I Am a Rohingya implores the world to listen to the spirit of a people who have experienced some of the worst human rights abuses on the planet. These poems have no alternative but to speak out, they are from a crisis that must be addressed. There is brilliance in here! — John Kinsella

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In Crash & Burn, Michael O'Neill describes his treatment for cancer of the oesophagus.

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John Kinsella's poetic and intertextual reworking of John Milton's dramatic poem, Samson Agonistes, confirms Milton as one of the many influences in Kinsella's poetic output. His fascination with Milton's "tale of conflicted belief, values and desires" is stated at the outset in the 'Argument', and in what follows, Kinsella echoes many of Milton's themes as he explores how the cyborg Samson — both a symbol of uncontrolled violence and a pacifist peacemaker — must come to terms with his participation in his own powerlessness and incarceration. Stephen Chinna's introduction and Tim Cribb's afterword are invaluable in setting the central dramatisation in context.

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