Poetry from Around the World

Mary Gilliland, the American poet, essayist, ecologist and activist, is well-known and highly regarded in the USA, and this new poetry collection is her UK first.

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In this poignant new poetry collection, one of New Zealand’s most significant voices reflects on home, on away, and on friends living and dead. ‘I lead a life of quiet medication’, the poet claims, ‘longing for foreign shores, adventure and death.’ But whether swimming to the yellow buoy or remembering an encounter in Belsize Park, in the thick of it or asking, ‘what next?’, Stead’s voice is intimate, amusing and always compelling.

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What happened to Kraków’s Jews? The poet Piotr Florczyk, who was born in Kraków, set himself the task of finding out, and to this end listened to recorded testimonies of Holocaust survivors from Kraków at the Visual History Archive during a period of research study at the University of Southern California’s Shoah Foundation Centre.

In the poems collected here, Florczyk retells the stories of these survivors for a new audience, exploring their interactions with their surroundings, their families, their neighbours and their oppressors.

Thus there emerges, through the work of the poet as story-teller, not only a shared history of Kraków but, for the reader, a sense of those voices that might otherwise be forgotten, speaking again in poems of extraordinary clarity and simplicity.

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Commenting on Hoskote's poetry on the Poetry International website, the poet and editor Arundhathi Subramaniam observes: "His writing has revealed a consistent and exceptional brilliance in its treatment of image. Hoskote's metaphors are finely wrought, luminous and sensuous, combining an artisanal virtuosity with passion, turning each poem into a many-angled, multifaced experience."

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John Kinsella's poetic and intertextual reworking of John Milton's dramatic poem, Samson Agonistes, confirms Milton as one of the many influences in Kinsella's poetic output. His fascination with Milton's "tale of conflicted belief, values and desires" is stated at the outset in the 'Argument', and in what follows, Kinsella echoes many of Milton's themes as he explores how the cyborg Samson — both a symbol of uncontrolled violence and a pacifist peacemaker — must come to terms with his participation in his own powerlessness and incarceration. Stephen Chinna's introduction and Tim Cribb's afterword are invaluable in setting the central dramatisation in context.

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