'Arc Translations' series

MILA HAGUOVÁ is one of Slovakia’s most highly-regarded poets, and this, her second full-length collection in English translation from Arc, selects poems from two of her books, the prize-winning Biele rumupisy (White Manuscripts, 2007) and Miznutie anjelov (The Disappearance of Angels, 2008).

Nature, eroticism, memory and loss are inseparably interwoven in these fragile, yet immensely powerful, poems. Haugová’s language is often experimental, yet the emotional thrust of each poem is quite clear. She writes movingly about the end of a love affair, about her childhood experiences (both painful and inspiring), and about the death of her mother; no experience, however distressing, is discarded, since it can only contribute to wider understanding and acceptance.

As James Sutherland-Smith says in the introduction to his finely-crafted translation:
“Mila Haugová writes of the intricacies of human emotions, their revelations and their concealments with an insight very few other poets have ever approached.”

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Hanoch Levin's poetry stands alone as a single volume in his collected works, which run to fifteen volumes of drama and prose. Levin's poetic voice - mordant, witty, irreverent, erotic and highly satirical, yet also whimsical and delicate - is arresting, distinctive and unusual. When this volume was published in Israel, it proved to be enormously popular and went through three editions in its first year and has continued to be reprinted since.

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Celebrated Icelandic writer Gerður Kristný's Drápa is a novel-poem which takes its form from Old Norse shield poetry and its mood from modern Nordic crime. But the poem is no fiction: it is about a real woman's murder in the city of Reykjavik, and, through this lens, about all women's deaths. This is Viking poetry at its most contemporary.

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Immanuel Mifsud is one of Malta's most influential writers, and this, his second collection in English translation by the poet Maurice Riordan, confirms his standing internationally as a poet of distinction.

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A requiem for all the losses of the living throughout history, seeking to bridge the centuries by echoing another poem created in the tenth century by an Armenian mystic monk, Grikor Narekatsi.

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